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Simon Vouet

French Simon Vouet Gallery 1590-1649

Gemälde ID::  1480

Spricht Cecilia heilig
52.5" x 38.5" Suida-Manning collection, Blanton Museum, Texas
52,5 X 38,5 Suida-Besetzende Sammlung, Blanton Museum, Texas
French Simon Vouet Gallery 1590-1649

   
 

 

 
   
      

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John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917

Gemälde ID::  27686

Spricht Cecilia
mk58 1895 oil on canvas 123.2x200.7cm The Andrew Lloyd Webber Art Foundation
das Öl von mk58 1895 auf Leinwand 123.2x200.7cm Die Andrew Lloyd WebberKunst Grundlage heilig
English Pre-Raphaelite Painter, 1849-1917

   
 

 

 
   
      

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COXCIE, Michiel van

Flemish Northern Renaissance Painter, 1499-1592

Gemälde ID::  43884
Saint Cecilia
1569 Oil on panel
Flemish Northern Renaissance Painter, 1499-1592

   
 

 

 
   
      

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John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917

Gemälde ID::  61567
Saint Cecilia
Saint Cecilia 1895
English Pre-Raphaelite Painter, 1849-1917

   
 

 

 
   
      

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Bernardo Strozzi

1581-1644 Italian Bernardo Strozzi Galleries

Gemälde ID::  81920
Saint Cecilia
Date between 1623(1623) and 1625(1625) Medium Oil on canvas Dimensions Height: 150 cm (59.1 in). Width: 100 cm (39.4 in). cjr
1581-1644 Italian Bernardo Strozzi Galleries

   
 

 

 
   
      

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Jacques Blanchard

(1600 - 1638), also known as Jacques Blanchart, was a French baroque painter who was born in Paris. He was raised and taught by his uncle, the painter Nicolas Bollery (ca. 1560-1630). Jacques's brother and son, Jean-Baptiste Blanchard (after 1602-1665) and Gabriel Blanchard (1630-1704), respectively were also painters. Jacques spent the years from 1624 to 1628 studying in Bologna and Venice. After briefly working in Turin at the court of the Charles Emmanuel I, Duke of Savoy (ca. 1628) he returned to France and set himself up in Paris in 1629. Jacques Blanchard is best known for his small religious and mythological paintings. He died in Paris in 1638. This painter should not be confused with the French sculptor of the same name who lived from 1634 to 1689. Nothing seems to be known of his work before he left for Rome at the age of twenty-four. After two years he moved to Venice, where he remained for two more years. It was there that his style was formed. He then went to Turin, where he worked for the Dukes of Savoy, before returning to France 1628. It is from the brief but productive period after his return that all his dated works survive. They show him to stand quite apart from his contemporaries, not only in his painting style but also in his choice of sensual subject-matter, for example the Bacchanal at Nancy. The chief influences were the sixteenth century painters, especially Titian and Tintoretto with their rich, warm colours, and Veronese, whose blond and silvery colour and limpid light he used most effectively in his small religious and mythological subjects. The several versions of Charity, depicted as a young woman with two or three children, are excellent examples of his tenderness of colour handling, and of a softness of sentiment nearer to the 18th than to the 17th century.

Gemälde ID::  86387
Saint Cecilia
first half of 17th century Medium Oil on canvas cyf
(1600 - 1638), also known as Jacques Blanchart, was a French baroque painter who was born in Paris. He was raised and taught by his uncle, the painter Nicolas Bollery (ca. 1560-1630). Jacques's brother and son, Jean-Baptiste Blanchard (after 1602-1665) and Gabriel Blanchard (1630-1704), respectively were also painters. Jacques spent the years from 1624 to 1628 studying in Bologna and Venice. After briefly working in Turin at the court of the Charles Emmanuel I, Duke of Savoy (ca. 1628) he returned to France and set himself up in Paris in 1629. Jacques Blanchard is best known for his small religious and mythological paintings. He died in Paris in 1638. This painter should not be confused with the French sculptor of the same name who lived from 1634 to 1689. Nothing seems to be known of his work before he left for Rome at the age of twenty-four. After two years he moved to Venice, where he remained for two more years. It was there that his style was formed. He then went to Turin, where he worked for the Dukes of Savoy, before returning to France 1628. It is from the brief but productive period after his return that all his dated works survive. They show him to stand quite apart from his contemporaries, not only in his painting style but also in his choice of sensual subject-matter, for example the Bacchanal at Nancy. The chief influences were the sixteenth century painters, especially Titian and Tintoretto with their rich, warm colours, and Veronese, whose blond and silvery colour and limpid light he used most effectively in his small religious and mythological subjects. The several versions of Charity, depicted as a young woman with two or three children, are excellent examples of his tenderness of colour handling, and of a softness of sentiment nearer to the 18th than to the 17th century.

   
 

 

 
   
      

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Simon Vouet

b. 1590, Paris, d. 1649, Paris

Gemälde ID::  87578
Saint Cecilia
Date c. 1626(1626) Medium Oil on canvas Dimensions 134.1 x 98.2 cm (52.8 x 38.7 in) cjr
b. 1590, Paris, d. 1649, Paris

   
 

 

 
   
      

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Simon Vouet

b. 1590, Paris, d. 1649, Paris

Gemälde ID::  92310
Saint Cecilia
1626(1626) Medium oil on canvas Dimensions 134.1 X 98.2 cm (52.8 X 38.7 in) cyf
b. 1590, Paris, d. 1649, Paris

   
 

 

 
   
      

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Guido Reni

1575-1642 Italian Guido Reni Galleries

Gemälde ID::  96151
Saint Cecilia
1606(1606) Medium oil on canvas Dimensions 95.9 X 74.9 cm cyf
1575-1642 Italian Guido Reni Galleries

   
 

 

 
   
      

Guido Reni
1575-1642 Italian Guido Reni Galleries
Saint Cecilia

        
 
   
 

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